this is a closeup shot of the feathery scales on a Monarch butterfly wing. each scale has a length of around 1/220 of an inch, so the height of this entire shot would be equivalent to the thickness of 3 sheets of paper. this particular butterfly died naturally near our studio, so we took the opportunity to explore what it had to offer.

the American side of Niagara Falls

glass tulips illuminated with various neon lights would certainly make a wonderful piece of contemporary art, but this is actually a closeup photo of a Grecian Windflower. in between the bumpy center cone and the outer petals, is a ring of many stamen with short filaments. zooming in extra tight on the area where the anthers (top part resembling mini-tulips) connect with the filaments (supporting stems), and adding in a micro-spotlight to make everything sparkle, you then get a shot like this. each filament (stems seen at the bottom) measures around 0.0062 inches in diameter which is a tad thinner than a bristle on a toothbrush.

a super closeup of an ant's head showing a portion of it's face along with half of it's lateral eye. visually, the entire head appeared a stealthy black, but the photography lighting caused the eye to glow a dark red which made for some interesting contrast. each of the micro-lenses on the compound eye, measure 0.00074 inches in diameter (1,350 of them would make inch). another interesting effect is how the translucent hairs acted like lenses and focused our lighting into little hotspots on the scaly surface.

this is a super closeup photo of a fallen lily petal. to the naked eye, the petal appears a pale plum colour, but when zoomed in with a bunch of light, we discovered that this flower was mostly white and only had colour running through these vein-like areas. the once juicy cells are drying out which is causing the puckers & wrinkles in the clear/white areas. the coloured 'veins' measure about 0.00042 inches in diameter (a tad thinner than kitchen plastic wrap).

Jackson Lake and Teton Mountains

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

this is a shot of the massive amounts of water going over Niagara Falls (Canadian side).