I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

eastern Utah

This dusty miller plant would look right at home as an underwater sea plant on a coral reef, but is actually a nice terrain-based plant with velvety-soft leaves.

scenic coastline of Maui

just as you are wondering how we captured such a fantastic shot of a distant mountain at the same time as a network of caverns below it, the truth behind this photo is even more fantastic. this is really a closeup shot of a rose thorn broken off it's stem. the lower 2/3 of the photo is the inside part of the thorn where it used to be attached. the 'landscape' at top is the outer surface of the thorn that happened to have a bump shaped like a mountain (measuring 0.014 inches wide which is about the thickness of a playing card). to hold it steady during photography, we have the sharp point stuck into a piece of blue plastic which created our sky and blue reflections on the distant 'mountains'. the underground 'diamonds' are white crystal-looking cells that reflected our lighting like little mirrors.

this is a piece of abstract art that was created on another planet - yes, really! on the occasion that a planet blows up (usually from a massive collision), the various substrates fly off into space and sometimes find their way to earth as a meteorite. typically these are either rocky (from the planet's mantle and crust) or iron-nickel (from the core), but on very rare occasions, earth receives a piece from the in-between boundary layer where crystals have formed. this is a closeup photo of a pallasite meteorite, looking deep into the olivine crystals formed on another world. we zoomed in to view about 1/20 of an inch (about the thickness of a DVD), and used very bright and finely focused lights that illuminated every bubble and imperfection to refract an assortment of extra colours... after all, this is from another planet, so we have to make it look as other-worldly as possible.

funny-shaped sandstone monuments in Utah wilderness

winding access path between fields of rice in Chinese countryside.