This dusty miller plant would look right at home as an underwater sea plant on a coral reef, but is actually a nice terrain-based plant with velvety-soft leaves.

glass tulips illuminated with various neon lights would certainly make a wonderful piece of contemporary art, but this is actually a closeup photo of a Grecian Windflower. in between the bumpy center cone and the outer petals, is a ring of many stamen with short filaments. zooming in extra tight on the area where the anthers (top part resembling mini-tulips) connect with the filaments (supporting stems), and adding in a micro-spotlight to make everything sparkle, you then get a shot like this. each filament (stems seen at the bottom) measures around 0.0062 inches in diameter which is a tad thinner than a bristle on a toothbrush.

Nevada wilderness in early morning.

geyser at Yellowstone

occasionally when an Eastern Redbud tree (which has pinkinsh-purple blooms instead of the more typical red blooms) gets rather old, clusters of blooms squeeze out from every part of each branch, limb, and trunk. it's a great find if you happen to find one during the right moment of spring (then it's just a matter of getting the camera equipment up in the tree).

There is a large park and garden area that I enjoy spending time at and often browse the area with camera gear hanging at my sides. I'm there often and known by all the groundskeepers and gardeners. On my way out one day, a gardener friend was excitedly waving me over to come see something. I run to where she was working and am shown the tiniest of frogs that nestled itself between the petals of a rose. The little guy seemed rather comfortable and ready for an evenings rest in his new secure home. It was early evening and less than ideal light but moments like this don't occur everyday. I bracketed several exposures, got a successful print, and donated it to my gardener friend. If it wasn't for her, the unique moment would have only been preserved in her memory and not seen by others.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

The sloping sides of Bryce Canyon have a very unique variegated effect as the many layers of coloured sandstone errode away. I couldn't pass up such an opportunity to capture a good texture shot and grabbed a 600mm lens to grab the distant details.