I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

This is a highly concentrated salt lake in eastern California that is known for its unique calcareous rock formations (tufas). These structures range from a couple feet to perhaps 15 feet tall and are quite rigid. Most of these structures form on the ground near the shore, but I really enjoyed this grouping when surrounded by water. Plus, the winds coming over a nearby mountain range, produce complex clouds rolling over this area and are usually quite interesting and often stormy in appearance.

this is a piece of abstract art that was created on another planet - yes, really! on the occasion that a planet blows up (usually from a massive collision), the various substrates fly off into space and sometimes find their way to earth as a meteorite. typically these are either rocky (from the planet's mantle and crust) or iron-nickel (from the core), but on very rare occasions, earth receives a piece from the in-between boundary layer where crystals have formed. this is a closeup photo of a pallasite meteorite, looking deep into the olivine crystals formed on another world. we zoomed in to view about 1/20 of an inch (about the thickness of a DVD), and used very bright and finely focused lights that illuminated every bubble and imperfection to refract an assortment of extra colours... after all, this is from another planet, so we have to make it look as other-worldly as possible.

this is a Maple tree photographed at night and illuminated only by an industrial-strength helium-cadmium laser (441-nanometer blue). extra care was taken to perform this unusual lighting technique in a secluded country setting due the laser beam having an effective distance of 35-miles. I'd like to note that no plants or animals (or photography assistants) were harmed in the making of this photo; although, we might have sterilized a few mosquitoes.

It's been raining most of the day and it's paying off by making this typically smaller waterfall much more voluminous.

an up-shot of the large clusters of dates on this Phoenix dactylifera in Kauai

in June 1967 a special type of meteorite called a 'pallasite' was discovered in the Magadan district of eastern Russia (near Seymchan). it is one of only 61 known meteorites of this type and it contains olivine crystals mixed in with other metals and rocky materials. we noticed a tiny spot that really sparkled in the light, so we zoomed in and photographed it (seemed like the proper thing to do at the time). this photo is 0.03 inches wide which is about the thickness of a credit card and just big enough to capture this most interesting area.