The Palace of Fine Arts in San Francisco is a fantastic setting for many great images. I saw these two swans swimming about and set up on the nearby shoreline. As with most animals, you really must do a lot of waiting for the right moment (unless you are lucky enough to come across one that responds to verbal instruction). There were many fair shots, but each time something was not quite right, so I very patiently waited, slowly panning the camera to track their movement and making adjustments along the way. In as little as a half hour, there was finally a moment when they both stopped eating seaweed and faced each other just long enough for me to complete my work.

like most things we get our hands on,.. we photograph it. this is a closeup shot of a synthetic-foam brush and after we zoomed in, it became quite clear on how it holds paint so well. the foam strands (connected together like a web) average around 0.0027 inches in diameter (size of a human hair).

I'm climbing down inside a volcano crater and am amazed with the variety of rock/soil colours that are so neatly piled about.

This dusty miller plant would look right at home as an underwater sea plant on a coral reef, but is actually a nice terrain-based plant with velvety-soft leaves.

Ka'anapali Beach is famous for it's gentle shallow waters and beautiful ocean sunsets like this one.

Typically when I shoot autumn images, I am biased toward early autumn so that there is more green with only some yellows and orange. I so much appreciate the lush greens that nature produces and it looks so full of life. Although fall colours are quite beautiful, I still prefer to maintain a fair amount of green in the photo as this makes the other autumn colours more pronounced and appreciable.

an assortment of brightly-coloured algae reflect in the steam rolling off a large hot spring.

eastern Utah