I was camping out on one of the lower peaks (about 8500 feet) in the Andes Mountains. It was a wet and somewhat tropical area and had a light rain most of the night. As daylight started making itself known, the remaining rain clouds started dissipating and swirling about the neighboring peaks. Once again, I grabbed my camera gear and prepared for a moody shot. The sunlight was peaking out here and there, clouds blowing by and changing each second, I just had to wait for everything to come into balance and squeeze the shutter's release cable. The dark neighboring mountain peak intertwined with scattering clouds created a mysterious and suspenseful image, expressing the drama in the air this morning.

geyser at Yellowstone

appearing as an aerial shot over an industrial area, this is actually an extreme closeup photo of a computer chip. more specifically a 64-bit Pentium dual core processor, containing 167-million transistors. the various colours come from the studio lights reflecting off the ultra-fine details in the semiconductor material causing a diffraction-grating type effect. this entire shot captures an area of 0.0000205 square inches (tad larger than the diameter of a human hair). to capture the whole CPU at this magnification, would take nearly 8,400 photos.

Whenever I'm in the mood to photograph butterflies, I try to seek out large clusters of small deep-throated flowers. They seem designed just for the mouths of butterflies and during the right season, it can make for some great photos. Typically, I setup near these flowers with all my readings made in advance and hope for something like this beautiful Clipper butterfly of the Philippines to land in front of me.

These guys brought a great smile to my face as soon as I saw them. They looked so funny and entertaining, I nearly titled the shot "Abbott & Costello" after the famous comedian pair. They had a certain life about them, as if they were a part of some mythical legend beings that became frozen into these rock formations. The two formations are actually a fair distance apart, making a combined photo more of a challenge. So I did my usual circle the item of interest until you find the best perspective. I tried hiking a ways away and zooming in from a neighboring hill, then up close, then this side or another, until discovering this perspective that worked perfectly for my taste.

Arizona wilderness

i was lucky to have an ash tree growing right outside the studio. On one rainy day, i stepped out on the 3rd floor balcony and could look straight across into the branches holding countless drops of rain. It's a gentle misty-rain, so the drips grow, drop, and start again every few minutes. This gave me little time to set up before the scene would change and i'd have to recompose for a different shot.

early morning at the top of Bryce Canyon