just as you are wondering how we captured such a fantastic shot of a distant mountain at the same time as a network of caverns below it, the truth behind this photo is even more fantastic. this is really a closeup shot of a rose thorn broken off it's stem. the lower 2/3 of the photo is the inside part of the thorn where it used to be attached. the 'landscape' at top is the outer surface of the thorn that happened to have a bump shaped like a mountain (measuring 0.014 inches wide which is about the thickness of a playing card). to hold it steady during photography, we have the sharp point stuck into a piece of blue plastic which created our sky and blue reflections on the distant 'mountains'. the underground 'diamonds' are white crystal-looking cells that reflected our lighting like little mirrors.

another spectacular view of Waimea canyon. The lush vegetation and diverse soil colours make for some very nice canyon photos.

coming down off the mountain just in time to witness the sun setting and the nearby cloud-line lighting up in pink.

a cool place to hang out (if you're a seal or if you like a lot of ice in your water)

this would be the coolest set of marbles around, if only they were really marbles. this is actually an extreme closeup photo of a compound eye on the Green-blue Long-legged fly (Condylostylus). these flies are much smaller than the common/plump housefly, and they serve good purpose around your garden's plants. this one had red eyes that originally appeared like rows of warm-red jelly beans with an overall dull luster. but once we pinpointed the studio's lighting into the eye's lenses, it rapidly increased the aging/deterioration process and the inner-eye elements started displaying this beautiful crackled pattern. each of these lenses measure 0.0008 inches in diameter (about the thickness of kitchen plastic wrap), and a closer look will show that some have a tiny three-hair 'grappling-hook' coming out between them.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

a super closeup shot of a bee's wing. the longer hairs are on the side of the wing facing the camera, and since the wing is mostly transparent, you can also see the hairs on the opposite side which appear shorter as they fade off into the distance. each of these ultra-tiny hairs have a diameter about 1/8000 of an inch (1/4 the thickness of kitchen plastic wrap).