late spring in the Aleutian Islands

clearly appearing like something out of a Hollywood special-effects laboratory, this unreal-looking skin is actually quite common and is perhaps devouring something right outside your back door... it is a super-closeup of a June Bug's thorax (shoulder blade equivalent). the June Bugs in our area are an uninteresting plain brown, but as we explored it's outer surface, we noticed a very small metallic-looking shiny spot. far too small to see with the naked eye, we zoomed in on this spot and discovered it to be made up of many 'skin' cells of reds, oranges, and yellows each measuring around 1/3000 of an inch across. the green jellybean-like objects are actually pits in the bug's shell and have a hair growing out of each one (similar to a human pore). these deep bowel-shaped pits (about 1/400 of an inch long) were lined with more metallic-type cells that reflected our lighting back in various greens.

This large Bird-of-Paradise bloom gave me quite a challenge. I was hiking in a tropical rain-forest when i saw glimpses of this beautiful bloom. The only trouble was the best side to photograph was rather hidden by thick foliage with no practical way to get closer. I found a peek-hole through the network of leaves, but it was very high, so i stretched the tripod to it's full height and then more so by greatly decreasing it's base to obtain just enough height to peek through this hole in the foliage. Then added a very large zoom lens on top of this very unstable camera setup. After waiting some time for everything to settle down from micro-movements (including not breathing on or near the camera), i was able to capture this exotic shot.

abstract shot of dichrolam film in bright sunlight

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

Sunrise on the high plateau of Colorado.