Mount Rainier in Washington

I'm hiking across the inside of a volcano crater and loving the diverse assortment of mineral colours. every few minutes it seems like i enter a new alien world with unique soil and rock types. The distant base of the clouds are over a mile in elevation, and they peak around 8,500 feet – the camera is just under 10,000 feet to capture this beautiful and unique land.

appearing to be a nice artsy mosaic of tiles, this is actually a closeup shot of a Rose of Sharon flower. this particular shrub had white blooms with dark-pink patterns down in the throat. when you zoom in (way in) to where the pink and white meet, you can see cell patterns like this. (photo captures 0.05 x 0.03 inches of the flower petal so the height of this photo is the thickness of a credit card)

I am often quite bored during long flights and look for anything to do within the confined cabin space. Sometimes the cloud levels are just right while the sun is lower for better light, and I take the time to set up a tripod and camera on the flight. Tight spots like this are fantastic for my Trekker tripod. It is so versatile and accommodating to the oddest of places I wish to place a camera. Getting a few curious looks from nearby passengers, I carefully scout for a nice grouping of clouds to occupy my time. I usually try to avoid any view of the plane or wing, but this time it was unavoidable in my row. As it turns out, I really liked how the wing establishes where the photo was taken and prefer it over many shots from other flights.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

i was lucky to have an ash tree growing right outside the studio. On one rainy day, i stepped out on the 3rd floor balcony and could look straight across into the branches holding countless drops of rain. It's a gentle misty-rain, so the drips grow, drop, and start again every few minutes. This gave me little time to set up before the scene would change and i'd have to recompose for a different shot.

This is an up-shot of some colourful scale-shaped rock layers on the side of large cliff. To capture this amazing natural art, i had to setup as low as possible to get enough room between the camera lens and rock layers. There was just enough room for me to lay on the muddy ground and get my head in place to see the focus screen and prepare for the long-exposure.

northern Indiana woods