south-eastern Utah

The Palace of Fine Arts in San Francisco is a fantastic setting for many great images. I saw these two swans swimming about and set up on the nearby shoreline. As with most animals, you really must do a lot of waiting for the right moment (unless you are lucky enough to come across one that responds to verbal instruction). There were many fair shots, but each time something was not quite right, so I very patiently waited, slowly panning the camera to track their movement and making adjustments along the way. In as little as a half hour, there was finally a moment when they both stopped eating seaweed and faced each other just long enough for me to complete my work.

the American side of Niagara Falls

aerial view of clouds forming over Gulf of Mexico

appearing as a beautiful iridescent wing from a magical creature, this is actually a small portion of a single grain of black sand. we were exploring a small clump of sand for a good shot, and noticed a tiny colourful spot sparkling out from one of the grains of lava rock. zooming in much more, we discovered this 'wing' shape measuring 0.0058 inches long (equivalent to the thickness of a sheet of paper). the entire grain of sand at this level of magnification, would fill 20 of these photos.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

northern shore of Guam

I particularly liked the lines in this image; the way trees and shrubbery were growing up the sides matched the angle of the peaks. The mountain walls were exceptionally steep (nearly vertical) which made it easier to capture the grassland foreground and keep the mountain peaks crisp and close. The sun was still early and somewhat low which pronounced the roughness and magnitude of this shear wall of rock.