we scouted for days along the Oregon coast, looking for the right balance of rock mounds in combination with the right moment of setting sun light.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

This is an up-shot of some colourful scale-shaped rock layers on the side of large cliff. To capture this amazing natural art, i had to setup as low as possible to get enough room between the camera lens and rock layers. There was just enough room for me to lay on the muddy ground and get my head in place to see the focus screen and prepare for the long-exposure.

One of my favorite locations is southeastern Utah. The area has many bizarre rock formations in all shapes and sizes. It is just after dawn and I'm on my way to a planned trailhead as I pass by these absolutely massive walls of rock. A few extra moments for this side trip won't hurt my plans, so I stop and wait for the sun to raise just a little higher. I grab a non-distorting wide angle lens and finish setting up in front of this wonder. The low warm light made this giant formation glow with contrasting shadowed edges, enhancing its texture and rich colour, making for a beautiful image to preserve on film.

despite it's appearance, this is not a coral reef growth, nor anything under the ocean. it is actually a closeup shot within the center of a daisy. we were surprised to discover that the flower's fuzzy brown cone was made up of these finger-like structures that looked so much like something under the sea. the photo captures 0.036 x 0.054 inches (about the thickness of a DVD) of the flower's center cone.

this is a piece of abstract art that was created on another planet - yes, really! on the occasion that a planet blows up (usually from a massive collision), the various substrates fly off into space and sometimes find their way to earth as a meteorite. typically these are either rocky (from the planet's mantle and crust) or iron-nickel (from the core), but on very rare occasions, earth receives a piece from the in-between boundary layer where crystals have formed. this is a closeup photo of a pallasite meteorite, looking deep into the olivine crystals formed on another world. we zoomed in to view about 1/20 of an inch (about the thickness of a DVD), and used very bright and finely focused lights that illuminated every bubble and imperfection to refract an assortment of extra colours... after all, this is from another planet, so we have to make it look as other-worldly as possible.

if you ever wondered what a photography studio does on a slow day... well, we photograph our toothbrush, and here it is. this is a close-up shot of the bristles on a toothbrush (Oral-B if you're curious) and each one has a diameter of 0.0075 inches (thickness of 1½ sheets of paper). we found it interesting that the plastic bristles start out very smooth on the handle end (seen at top) and then have a rougher texture on the brushing end (seen at bottom).

Indiana woods