clearly appearing like something out of a Hollywood special-effects laboratory, this unreal-looking skin is actually quite common and is perhaps devouring something right outside your back door... it is a super-closeup of a June Bug's thorax (shoulder blade equivalent). the June Bugs in our area are an uninteresting plain brown, but as we explored it's outer surface, we noticed a very small metallic-looking shiny spot. far too small to see with the naked eye, we zoomed in on this spot and discovered it to be made up of many 'skin' cells of reds, oranges, and yellows each measuring around 1/3000 of an inch across. the green jellybean-like objects are actually pits in the bug's shell and have a hair growing out of each one (similar to a human pore). these deep bowel-shaped pits (about 1/400 of an inch long) were lined with more metallic-type cells that reflected our lighting back in various greens.

Yucca tree (Yucca brevifolia) in Mojave desert.

resident of Indiana wetlands

unique purple lily blooms in southern China

i was lucky to have an ash tree growing right outside the studio. On one rainy day, i stepped out on the 3rd floor balcony and could look straight across into the branches holding countless drops of rain. It's a gentle misty-rain, so the drips grow, drop, and start again every few minutes. This gave me little time to set up before the scene would change and i'd have to recompose for a different shot.

you'd probably believe me if i said this was a tentacle from some deep-sea creature, but it is actually a closeup shot of a common flower stigma (the tiny little stem sticking out of the center and captures pollen from the stamen). the stigma of a red gladiolus is only 0.025 inches in diameter (thickness of 2 playing cards) and this photo captures the very tip that protrudes farthest outside the bloom. (check out our "Balanced Gems" shot to see the neighboring anther part of the same flower).

I particularly liked the lines in this image; the way trees and shrubbery were growing up the sides matched the angle of the peaks. The mountain walls were exceptionally steep (nearly vertical) which made it easier to capture the grassland foreground and keep the mountain peaks crisp and close. The sun was still early and somewhat low which pronounced the roughness and magnitude of this shear wall of rock.

closeup of a tortoise emerging as desert temperatures become more tolerable just before sunset in Arizona