This is the main center area of MachuPicchu. The "D" shaped structure near center is the Temple of the Sun. For some reason it was worthy of a complex curved wall, unlike all other surrounding structures.

Wild raspberry bushes in northern Indiana

I'm certainly not a marine biologist, but am informed that this is a 'Dactylometra Quinquecirrha' type jellyfish, so I'll take their word for it. Their tentacles are covered with stinging cells that attach themselves to anything that touches them and injects a venom into it's prey. Fortunately I didn't get the opportunity to experience this in action even though I'm told it's not fatal. My biggest problem capturing this image is that there is absolutely nothing stable to attach a camera to underwater. Tripods are useless, I'm moving, the camera is moving, the sea creatures are moving, all at different rhythms (guess I didn't need to bring the cable release). All in all, this was probably the most serene and beautiful creature I've ever witnessed; it's pulsating motions and delicate nature were extremely enjoyable.

With camera gear strapped to my back, I was wandering about the countryside on my trusty bike when I came across a rather nice woods. This area was new to me and the moment was begging me to explore. It was a perfect section of woods, with a variety of trees and plant life. Just hilly enough for interest and just sunny enough to get good colour saturation on film. I discovered this one tree; a tree of all trees. Its upper branches were the size of most other mature trees. Truly enormous. The times this tree must have experienced and weathered through were unimaginable. I paced around it many times as I stared up into its array of beauty; searching for just the right point of view to preserve this tree for even greater period of time.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

i was lucky to have an ash tree growing right outside the studio. On one rainy day, i stepped out on the 3rd floor balcony and could look straight across into the branches holding countless drops of rain. It's a gentle misty-rain, so the drips grow, drop, and start again every few minutes. This gave me little time to set up before the scene would change and i'd have to recompose for a different shot.

i've been scouting around for a perfect rose shot - which for anyone whom has tried this, understands the challenge - there's almost always some imperfection or imbalance that keeps one searching for something better. i happen to find these three pink roses in a row and focused on the perfect pattern of soft pink petals on the center bloom.