i was lucky to have an ash tree growing right outside the studio. On one rainy day, i stepped out on the 3rd floor balcony and could look straight across into the branches holding countless drops of rain. It's a gentle misty-rain, so the drips grow, drop, and start again every few minutes. This gave me little time to set up before the scene would change and i'd have to recompose for a different shot.

This large Bird-of-Paradise bloom gave me quite a challenge. I was hiking in a tropical rain-forest when i saw glimpses of this beautiful bloom. The only trouble was the best side to photograph was rather hidden by thick foliage with no practical way to get closer. I found a peek-hole through the network of leaves, but it was very high, so i stretched the tripod to it's full height and then more so by greatly decreasing it's base to obtain just enough height to peek through this hole in the foliage. Then added a very large zoom lens on top of this very unstable camera setup. After waiting some time for everything to settle down from micro-movements (including not breathing on or near the camera), i was able to capture this exotic shot.

JiuZhaiGou Valley

a super closeup of an ant's head showing a portion of it's face along with half of it's lateral eye. visually, the entire head appeared a stealthy black, but the photography lighting caused the eye to glow a dark red which made for some interesting contrast. each of the micro-lenses on the compound eye, measure 0.00074 inches in diameter (1,350 of them would make inch). another interesting effect is how the translucent hairs acted like lenses and focused our lighting into little hotspots on the scaly surface.

Arizona wilderness

The Palace of Fine Arts in San Francisco is a fantastic setting for many great images. I saw these two swans swimming about and set up on the nearby shoreline. As with most animals, you really must do a lot of waiting for the right moment (unless you are lucky enough to come across one that responds to verbal instruction). There were many fair shots, but each time something was not quite right, so I very patiently waited, slowly panning the camera to track their movement and making adjustments along the way. In as little as a half hour, there was finally a moment when they both stopped eating seaweed and faced each other just long enough for me to complete my work.

southern Maui along the road to Hana

I was traveling through a high mountain pass at about 14,000 feet and came across an area that was beginning to melt in preparation of spring. I started sizing up the scene and wandered about for the perfect perspective. The masses of melting snow had a beautiful ripple pattern and a large melted area ahead with mini-glaciers made a great foreground. In my usual excitement in preparing for a shot, I commonly overlook safety, and this was no exception. As I squatted down with my camera and pod ready to capture this lovely winter scene, I kept noticing a continuous sinking feeling which required camera adjustments to re-frame the picture properly. The melting snow was settling from my presence and I began to wonder if that melted area ahead was really part of a frozen lake. I looked around and noticed that I was in the middle of a large flat area surrounded by a distant wall of trees all around - I was standing in the center of a large lake. Just as I was debating on whether I would fall through the melting snow, I figured I was already set up for a good photo, so I might as well shoot some film. Thankfully, I made it back onto solid land without incident.