an up-shot of the large clusters of dates on this Phoenix dactylifera in Kauai

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

This scene has summer fun and relaxation written all over it. It was late June and a perfect day for the season. Climbing down the steep embankment, I was actually standing in several inches of water to get a good view of the mountain peak framed nicely between the nearby trees. I waited for the ripples I created to disappear, and adjusted the tripod rather low to capture the stones just below the water's surface. The way the water refracted from being able to see the bottom of the lake, which slowly faded into the reflections from the far shore, was a nice bonus.

extremely well manicured shrubbery in Japanese garden

layers and layers of spire-shaped mountains in ZhangJiaJie

i was lucky to have an ash tree growing right outside the studio. On one rainy day, i stepped out on the 3rd floor balcony and could look straight across into the branches holding countless drops of rain. It's a gentle misty-rain, so the drips grow, drop, and start again every few minutes. This gave me little time to set up before the scene would change and i'd have to recompose for a different shot.

One of my favorite locations is southeastern Utah. The area has many bizarre rock formations in all shapes and sizes. It is just after dawn and I'm on my way to a planned trailhead as I pass by these absolutely massive walls of rock. A few extra moments for this side trip won't hurt my plans, so I stop and wait for the sun to raise just a little higher. I grab a non-distorting wide angle lens and finish setting up in front of this wonder. The low warm light made this giant formation glow with contrasting shadowed edges, enhancing its texture and rich colour, making for a beautiful image to preserve on film.