northern Montana

northern Arizona (Utah border)

it is rare that i photograph man-made things when i'm traveling around looking for beautiful things in nature, but artistic construction like this will make it into the photo collection.

This is called "get the shot and run for cover". I'm wading waist-deep to get the desired camera angles and when i saw this swell raising more and more, i knew i would be grabbing the camera and heading for more shallow water before i get clobbered.

One warm and misty afternoon, the sun peaked out for just a moment to generate one of nature's most spectacular events... a rainbow. With the exception of this beam of sunlight, the surrounding area was dim and wet. I immediately pulled off the road and started setting up to capture this colourful phenomenon touching down into a nearby field. By the time I was prepared, the intensity picked up and I captured the entire essence on film. The air was still very misty, but the vibrant bands of colour showed through quite well and really shows off a natural work of art.

natural arch in wall of sandstone in eastern Utah

home grown soda bottles? well, not quite. laying across the bottom of the photo is the edge of a daisy's stem, and the 'bottle' is a single hair/fuzz (1/60 of an inch in height) protruding from that stem. daisy plants have bristly stems (in between soft and prickly) so the fuzz has a larger diameter making it more stiff, and as we recently discovered... it's also hollow and uniquely shaped. to add a little colour, we placed a small piece of yellow tractor-feed paper as a background, so that the out-of-focus hole created a nice glow on the horizon.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.