close-up shot of a young tree bud

early morning on Kauai

i've been looking for a pattern in water like this for some time. Trying to find a place when the water has just the right size ripples and the proper light and reflections, then be able to place a camera on something solid to capture the special event, can all lead to be quite a task.

sunset above the clouds near the hawaiian islands

I had not seen a Bald Eagle before and certainly did not expect to see one in Indiana. I was driving along a stretch of highway with forest on both sides and where hawks are a common site. I usually scan the sky to see what might be flying around and one day I see an absolutely huge silhouette swooping down. It was far bigger than any hawk I've seen, so I pulled off the road and began to explore. Not far away, I learn that it was a Bald Eagle and it was now calmly sitting in a tree. I reposition my car to make full use of a hill, then stood on top with my tripod and longest lens to grab this shot.

The Palace of Fine Arts in San Francisco is a fantastic setting for many great images. I saw these two swans swimming about and set up on the nearby shoreline. As with most animals, you really must do a lot of waiting for the right moment (unless you are lucky enough to come across one that responds to verbal instruction). There were many fair shots, but each time something was not quite right, so I very patiently waited, slowly panning the camera to track their movement and making adjustments along the way. In as little as a half hour, there was finally a moment when they both stopped eating seaweed and faced each other just long enough for me to complete my work.

this was captured at the International Rose Test Gardens in Oregon where they have thousands of well cared for roses.

just as you are wondering how we captured such a fantastic shot of a distant mountain at the same time as a network of caverns below it, the truth behind this photo is even more fantastic. this is really a closeup shot of a rose thorn broken off it's stem. the lower 2/3 of the photo is the inside part of the thorn where it used to be attached. the 'landscape' at top is the outer surface of the thorn that happened to have a bump shaped like a mountain (measuring 0.014 inches wide which is about the thickness of a playing card). to hold it steady during photography, we have the sharp point stuck into a piece of blue plastic which created our sky and blue reflections on the distant 'mountains'. the underground 'diamonds' are white crystal-looking cells that reflected our lighting like little mirrors.