Toward the end of each summer, I try to go out and chase butterflies. Partially just to capture something delicate and enchanting and partly just to stay in shape by constant lugging equipment from spot to spot trying to capture close-ups as they flutter around in the wild. It's not often that one can get camera gear between a bloom and a feeding butterfly. With this unique perspective, the large and colourful insect has a more slimline stealthy appearance while it feeds on this zinnias nectar.

eastern Utah

This scene has summer fun and relaxation written all over it. It was late June and a perfect day for the season. Climbing down the steep embankment, I was actually standing in several inches of water to get a good view of the mountain peak framed nicely between the nearby trees. I waited for the ripples I created to disappear, and adjusted the tripod rather low to capture the stones just below the water's surface. The way the water refracted from being able to see the bottom of the lake, which slowly faded into the reflections from the far shore, was a nice bonus.

This is truly in the middle of nowhere and reachable only by foot (or perhaps parachute). It's hard to believe that rock could form in such fluid shapes but it sure makes for a great find for those willing to bare the elements of the desert.

certainly appearing to be a pile of gemstones, this is actually a extreme closeup shot of a flower anther. within the middle of a gladiolus flower, you'll find four long and narrow stems protruding from the center of each bloom. three of these have a tiny banana-shaped pod (anther) on the end, and the remaining one (stigma) has three tiny fingers on the end. if you zoom into the anther, it appears something like a long canoe-like boat heaping full of cargo. zooming in more (and from the side), you can get a clear view of the 'cargo' of cells stacked up in the anther/boat. this photo is a tiny portion of that cargo and each 'gem' is about half the area of a human hair. (check out our "Sea Monster" shot to see the neighboring stigma up close.)

The sloping sides of Bryce Canyon have a very unique variegated effect as the many layers of coloured sandstone errode away. I couldn't pass up such an opportunity to capture a good texture shot and grabbed a 600mm lens to grab the distant details.

This is called "get the shot and run for cover". I'm wading waist-deep to get the desired camera angles and when i saw this swell raising more and more, i knew i would be grabbing the camera and heading for more shallow water before i get clobbered.