I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

With camera gear strapped to my back, I was wandering about the countryside on my trusty bike when I came across a rather nice woods. This area was new to me and the moment was begging me to explore. It was a perfect section of woods, with a variety of trees and plant life. Just hilly enough for interest and just sunny enough to get good colour saturation on film. I discovered this one tree; a tree of all trees. Its upper branches were the size of most other mature trees. Truly enormous. The times this tree must have experienced and weathered through were unimaginable. I paced around it many times as I stared up into its array of beauty; searching for just the right point of view to preserve this tree for even greater period of time.

resident of Indiana wetlands

The iris is perhaps my favorite flower for abstract photography. They offer some really nice lines and curves with a wide-variety of colours.

I'm hiking across the inside of a volcano crater and loving the diverse assortment of mineral colours. every few minutes it seems like i enter a new alien world with unique soil and rock types. The distant base of the clouds are over a mile in elevation, and they peak around 8,500 feet – the camera is just under 10,000 feet to capture this beautiful and unique land.

almost looking like someone dropped a jar of jelly, this is actually a closeup photo of a dark red Asiatic Lily. toward the base of each petal are two tiny rows of fleshy-hairs that when magnified, look like dripping jelly. one of the hair rows is the dark red feature going diagonally across this shot, and a glimpse of the second row in the upper-left corner. the 'hairs' in this shot average 0.0087 inches in height, so 115 of them lined end-to-end would equal an inch.

This is a straight-down shot of a young corn lily plant (Veratrum californicum) common in moist meadows along the west coast. The accordion-shaped leaves look just like my camera bellows, but the plant is quite poisonous. In fact, if animals eat the foliage, their offspring can be born with cyclopia (one large eye in center of head).

extremely well manicured shrubbery in Japanese garden