i love bamboo. there is just something about its form and usefulness that appeals to me. it grows quite fast and is very strong yet flexible. while traveling through various bamboo forests in China, i've seen new bamboo sprouts that were at least 4-5 meters tall.

Sunlight reflecting from the pond's surface, was shining up through a lily pad leaf that had grown to a few inches above the water. I loved the way it illuminated the structure of the leaf and it reminded me of modern fractal art (complex patterns generated by mathematical algorithms).

passing for an assortment of freshly mined diamonds, these rough 'gems' are actually grains of refined sugar. they are spilled upon a deep-blue CD case which gave us a nice colour backdrop and texture. the crystalline grains of sugar average around 1/60 of an inch.

abstract shot of dichrolam film in bright sunlight

although pesky, once you start to explore the common housefly, all sorts of amazing discoveries can be made. this is a super-closeup shot of the shiny metallic area on a blue bottle fly (blue housefly) capturing an area about the thickness of a playing card. the surface contains deep dimple-like cavities (similar to a golf ball) with an ultra tiny hair (about 1/8000 of an inch) in each one. the blue metallic colouring is mirror-like and reflects our lighting around like a highly polished automobile.

east end of Glacier National Park

appearing as an aerial shot over an industrial area, this is actually an extreme closeup photo of a computer chip. more specifically a 64-bit Pentium dual core processor, containing 167-million transistors. the various colours come from the studio lights reflecting off the ultra-fine details in the semiconductor material causing a diffraction-grating type effect. this entire shot captures an area of 0.0000205 square inches (tad larger than the diameter of a human hair). to capture the whole CPU at this magnification, would take nearly 8,400 photos.

Many northern states like Montana have an abundance of colourful stones delivered by glaciers long ago. These happen to be at the edge of a lake under a few inches of water. The entire beach area and bottom of the lake (as far as I could see) was covered in this manner and the stones just under the water provided great rich colour with minimal wave distortion. To be able to shoot straight down and not have any perspective in the stone pattern, I stood in the water and waited for the ripples to disappear before capturing this neat texture image.