Typically when I shoot autumn images, I am biased toward early autumn so that there is more green with only some yellows and orange. I so much appreciate the lush greens that nature produces and it looks so full of life. Although fall colours are quite beautiful, I still prefer to maintain a fair amount of green in the photo as this makes the other autumn colours more pronounced and appreciable.

almost looking like someone dropped a jar of jelly, this is actually a closeup photo of a dark red Asiatic Lily. toward the base of each petal are two tiny rows of fleshy-hairs that when magnified, look like dripping jelly. one of the hair rows is the dark red feature going diagonally across this shot, and a glimpse of the second row in the upper-left corner. the 'hairs' in this shot average 0.0087 inches in height, so 115 of them lined end-to-end would equal an inch.

This is a collection of some of the water drops flowing into the Yosemite Valley. It is difficult to take a bad photograph in this area, as the main valley area is surrounded with lush pines and giant cliff walls in all directions. The falls were abnormally robust this summer due to a previous heavy winter and wet spring.

the extremely popular Multnomah Falls in the Columbia River Gorge happens to be the second tallest in the states, and is very easily accessible - just off the highway. This convenience allowed me to return many times to study how the moving sun dramatically changed the whole area's appearance. Most of the time, part of the falls are very brightly lit with direct sunlight and other parts are in significant shade, which makes for a terribly unbalanced exposure. Persistence paid off one day, when i arrived and the trees had a lovely pattern of light shining through and the entire upper & lower falls were evenly illuminated.

sunrise in KaPa'a

It was late spring in the Utah desert and I got caught in a light rain shower. It was hot, so the rain felt nice, but I still didn't want to get soaked and be encumbered with wet clothes. I stooped under a tree about the height of a house (tall for the region) and let it shelter me from most of the rain. In about 30 minutes, it turned to a fine mist and I continued up the mountain. Soon the sun started to peek out and turned my surroundings to a steamy sauna. Whenever the sun comes out after a rain, I immediately look for the possibility of a rainbow. Rainbows are so beautiful and last only a moment, that I do everything possible to capture one onto film. Sure enough, one started to emerge right in front of me, but was mostly obscured by the ground, so I started to run up the hill for a better view. The mountainside was steep and seemed to never end. Each time I thought I could see it leveling off, by the time I got there, it continued upward. I was exhausted and time was quickly counting down. I managed to make my way to a partial overlook and captured ¾ of the arch of colour before it faded away.

just as you are wondering how we captured such a fantastic shot of a distant mountain at the same time as a network of caverns below it, the truth behind this photo is even more fantastic. this is really a closeup shot of a rose thorn broken off it's stem. the lower 2/3 of the photo is the inside part of the thorn where it used to be attached. the 'landscape' at top is the outer surface of the thorn that happened to have a bump shaped like a mountain (measuring 0.014 inches wide which is about the thickness of a playing card). to hold it steady during photography, we have the sharp point stuck into a piece of blue plastic which created our sky and blue reflections on the distant 'mountains'. the underground 'diamonds' are white crystal-looking cells that reflected our lighting like little mirrors.

When I first saw these celosia flowers in China, I couldn't resist taking the time to find one with just the right form and available light to capture a couple shots.