just as you are wondering how we captured such a fantastic shot of a distant mountain at the same time as a network of caverns below it, the truth behind this photo is even more fantastic. this is really a closeup shot of a rose thorn broken off it's stem. the lower 2/3 of the photo is the inside part of the thorn where it used to be attached. the 'landscape' at top is the outer surface of the thorn that happened to have a bump shaped like a mountain (measuring 0.014 inches wide which is about the thickness of a playing card). to hold it steady during photography, we have the sharp point stuck into a piece of blue plastic which created our sky and blue reflections on the distant 'mountains'. the underground 'diamonds' are white crystal-looking cells that reflected our lighting like little mirrors.

This beautiful moment was captured on Navajo's land in Arizona. With permission from the Native Americans, I visited their sacred and amazing canyons. It's a bit windy topside so there is a constant shower of sand pouring in. In just a few minutes, piles of this ultra-fine sand begin to build up on our shoulders, pockets, and equipment making the day-long adventure quite memorable. When the sun is at its highest, it illuminates some of these sand showers to appear as magnificent beams of light.

This is called "get the shot and run for cover". I'm wading waist-deep to get the desired camera angles and when i saw this swell raising more and more, i knew i would be grabbing the camera and heading for more shallow water before i get clobbered.

Trying not to sound like an advertisement for tripods, but I really love my Benbo Trekker. It is an extremely well engineered piece of British equipment and is the only tripod that has accommodated every place I have desired to place a camera. For this photo, I'm set up between the seats on a 737 so I could capture this through the window.

This large Bird-of-Paradise bloom gave me quite a challenge. I was hiking in a tropical rain-forest when i saw glimpses of this beautiful bloom. The only trouble was the best side to photograph was rather hidden by thick foliage with no practical way to get closer. I found a peek-hole through the network of leaves, but it was very high, so i stretched the tripod to it's full height and then more so by greatly decreasing it's base to obtain just enough height to peek through this hole in the foliage. Then added a very large zoom lens on top of this very unstable camera setup. After waiting some time for everything to settle down from micro-movements (including not breathing on or near the camera), i was able to capture this exotic shot.

For many years, I lived next to a large duck pond just outside my back door and it was not uncommon to see me set up on a nearby bank. After some time, the local inhabitants seemed to accept my presence and felt safe to get closer for a better look like this curious duck.

Below ground caverns in Arizona wilderness, carved out by centuries of flash flood waters from rain many miles away.