I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

This beautiful sunset brought a wonderful end to a long day. I was returning from a day long shoot at a local club. Everything that could have gone wrong that day, did, and then some. It was blistering hot and I was well sun burnt. That evening, on the way back to the Studio, I decided to stop by the beach to relieve the day's tension. I often take my camera out for a walk and this was as good time as any. Barefoot in the sand, I stroll up the shore trying to forget my day. I came across a rather nice sand castle that some kids built. Stooping down trying to see what kind of silhouette shot I could get with the sun setting behind it, I squeezed off a few shots for fun. I had noticed that at certain angles, the water reflected the blues and purples in the sky and the sand castle suddenly became much less interesting. The colours were so rich I immediately took some light readings and captured the waves while the colour was at its prime.

along coast of Lake Michigan

looking directly at an enormous wall of ice as it crumbles into the sea. the ice is under intense pressure from the weight of the ice above and from the relentless pushing of new ice forming in distant mountains. this pressure causes the ice to be abnormally dense, and gives it an obvious teal colour. very loud cracks and pops can be heard as it continues being shoved downhill.

peeking up under the nodding flowers of imperial fritillaria stalks (lutea maxima)

just as you are wondering how we captured such a fantastic shot of a distant mountain at the same time as a network of caverns below it, the truth behind this photo is even more fantastic. this is really a closeup shot of a rose thorn broken off it's stem. the lower 2/3 of the photo is the inside part of the thorn where it used to be attached. the 'landscape' at top is the outer surface of the thorn that happened to have a bump shaped like a mountain (measuring 0.014 inches wide which is about the thickness of a playing card). to hold it steady during photography, we have the sharp point stuck into a piece of blue plastic which created our sky and blue reflections on the distant 'mountains'. the underground 'diamonds' are white crystal-looking cells that reflected our lighting like little mirrors.

Along the desert surface, a lengthy crack can be seen. More exploring reveals an entire other world of underground beauty. I have the camera pointed up at about 45° toward these whirls of sandstone carved out by centuries of flash flood waters from rain many miles away.