closeup texture shot of a purple Iris

rarely does an insect stay put long enough for us to go through our setup process, but this large dragonfly was very trusting and didn't move while we choose a good macro lens, took light readings, test exposures, and finally this shot.

This dusty miller plant would look right at home as an underwater sea plant on a coral reef, but is actually a nice terrain-based plant with velvety-soft leaves.

this would be the coolest set of marbles around, if only they were really marbles. this is actually an extreme closeup photo of a compound eye on the Green-blue Long-legged fly (Condylostylus). these flies are much smaller than the common/plump housefly, and they serve good purpose around your garden's plants. this one had red eyes that originally appeared like rows of warm-red jelly beans with an overall dull luster. but once we pinpointed the studio's lighting into the eye's lenses, it rapidly increased the aging/deterioration process and the inner-eye elements started displaying this beautiful crackled pattern. each of these lenses measure 0.0008 inches in diameter (about the thickness of kitchen plastic wrap), and a closer look will show that some have a tiny three-hair 'grappling-hook' coming out between them.

My friend and master gardener was showing me the sites and we came across her favorite of all trees, the chionanthus virginicus, or fringe tree. In late spring it blooms with drooping clusters of white flowers. I now understand her passion for the tree as is had a very soft friendly appearance with a lovely scent from it's quantity of blooms.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

the extremely popular Multnomah Falls in the Columbia River Gorge happens to be the second tallest in the states, and is very easily accessible - just off the highway. This convenience allowed me to return many times to study how the moving sun dramatically changed the whole area's appearance. Most of the time, part of the falls are very brightly lit with direct sunlight and other parts are in significant shade, which makes for a terribly unbalanced exposure. Persistence paid off one day, when i arrived and the trees had a lovely pattern of light shining through and the entire upper & lower falls were evenly illuminated.

this is a closeup shot of the feathery scales on a Monarch butterfly wing. each scale has a length of around 1/220 of an inch, so the height of this entire shot would be equivalent to the thickness of 3 sheets of paper. this particular butterfly died naturally near our studio, so we took the opportunity to explore what it had to offer.