![]() WATER |
![]() ROCK |
![]() DESERT |
![]() SKY |
![]() TREES |
![]() PLANTS |
![]() ANIMALS |
![]() MAN-MADE |
![]() PATTERNS |
![]() CLOSE-UP |

although pesky, once you start to explore the common housefly, all sorts of amazing discoveries can be made. this is a super-closeup shot of the shiny metallic area on a blue bottle fly (blue housefly) capturing an area about the thickness of a playing card. the surface contains deep dimple-like cavities (similar to a golf ball) with an ultra tiny hair (about 1/8000 of an inch) in each one. the blue metallic colouring is mirror-like and reflects our lighting around like a highly polished automobile.
Blue Skin

The Palace of Fine Arts in San Francisco is a fantastic setting for many great images. I saw these two swans swimming about and set up on the nearby shoreline. As with most animals, you really must do a lot of waiting for the right moment (unless you are lucky enough to come across one that responds to verbal instruction). There were many fair shots, but each time something was not quite right, so I very patiently waited, slowly panning the camera to track their movement and making adjustments along the way. In as little as a half hour, there was finally a moment when they both stopped eating seaweed and faced each other just long enough for me to complete my work.
Swans

Trying not to sound like an advertisement for tripods, but I really love my Benbo Trekker. It is an extremely well engineered piece of British equipment and is the only tripod that has accommodated every place I have desired to place a camera. For this photo, I'm set up between the seats on a 737 so I could capture this through the window.
Above the Clouds

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.
Falls and Rapids
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