A white dicentra plant bathed in morning sunlight.

This is called "get the shot and run for cover". I'm wading waist-deep to get the desired camera angles and when i saw this swell raising more and more, i knew i would be grabbing the camera and heading for more shallow water before i get clobbered.

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

south-eastern Utah

High in the Urubamba Mountains, lies the recently famous ruins of MachuPicchu. The peak off to the right is WaynaPicchu. After a lengthy steep climb up damp and slippery rocks, it provides a nice overlook of the ancient city. Many photographers stand on the hill on the left side of this photo and capture a portion of the ruins; I chose to climb to a neighboring peak and shoot down over the entire area. The stepped plateaus going down the side were farmland and between each level are stone steps protruding out from the wall.

This is a young Tigré, or jungle version of a tiger that only grows to be the size of a large dog. This one is about one year old and is stalking some nearby movement while I remain motionless with my equipment rigged in a small tree. I had a most entertaining encounter with its father the night before.... I was sleeping in a native hut which consists of an elevated wooden platform with some poles to support a roof made of dried leaves. Needless to say, there's not much to keep out wildlife with the ability to climb. I woke to a very intimidating low growl from the throat of a mature Tigré. Hoping that if I remained still, it would simply pass without interest - I was wrong. After leaping onto the hut floor and examining this new terrain, it wasn't long before it was on top of me and being a nuisance. Realizing that sleep was going to be impossible with this guy prowling around, I decided to get up and deal with the situation. It had hopped off me and was making itself comfortable in the middle of the floor. Remembering a little bit of house cat knowledge, I wondered if that trick of picking them up by the back of their necks worked on the larger species. So I carefully made my way closer and slowly reached down, got a fist full of fur, and began lifting him from the floor. All was going well; his front legs appeared limp and he appeared relaxed - well, at least until I got his hind legs off the ground. Suddenly, before I could blink, he had reached back with one of his large paws, grabbed my arm that I was lifting with, and twisted around forcing his release. His strength and speed were very impressive and I quickly let go. Standing there next to me, I'm sure it was wondering what I was going to do next - I was also. The reason I was in the jungle was to shoot a variety of Peruvian blankets using the natural surroundings. I grabbed one of the thick mat-like blankets and threw it over the Tigré. Then quickly started to roll him up into a harmless ball. No sooner did I complete this task, his strength again impressed me as he was quickly wiggling his way out of my trap. I managed to get the bundle to the edge of the platform and unrolled him back off into the jungle so we both could get some rest.

almost passing for an aerial photo over some trees, ocean, and a smoldering volcano, this world was actually discovered on the belly of a small fly - more specifically a tiny Blue-green Long-legged fly (Condylostylus). the micro-hairs along the contours of it's abdomen now look like a forest of trees covering the hills of a tropical island. the way the light reflects of the fly's metallic-like surface, gave us the ocean and rainforest colour palette. and the volcano is actually a hair pore with the hair shaft going out of focus toward the camera, giving the appearance of rising column of smoke. the width of this shot covers 0.0126 inches which is the thickness of a playing card.

appearing as an aerial shot over an industrial area, this is actually an extreme closeup photo of a computer chip. more specifically a 64-bit Pentium dual core processor, containing 167-million transistors. the various colours come from the studio lights reflecting off the ultra-fine details in the semiconductor material causing a diffraction-grating type effect. this entire shot captures an area of 0.0000205 square inches (tad larger than the diameter of a human hair). to capture the whole CPU at this magnification, would take nearly 8,400 photos.