While hiking through the many woods in the valley, I came across a clearing packed full of ferns. Clearings between the groves of trees were common, but none were like this one. These ferns average five to six feet in height and were nothing short of spectacular. The sunlight filtered through the airy flora creating many layers of green as it progressed toward the shaded ground region.

appearing to be some seaweed gently swaying under water, this is actually an above-water decorative grass (green foxtail) that has those fuzzy tops resembling caterpillars. this is a closeup shot (capturing 0.1 x 0.16 inches) of the seeds and fuzzies that dance in the wind atop this tall grass. the seeds can be seen as large light-green pods with dark-green stripes (like a melon), and the fuzzy strands can be seen in light-green branching off the main stem in the middle, and eventually fade to brown as they reach their end.

northern Kauai

the exotic blooms on this particular tropical vine last only a day. After just missing a couple of openings, a gardener friend and I was pulling shifts going to check on it's status twice a day. Finally, late one morning, the magnificent passiflora opened to display it's unparalleled details. Immediately, I load up an excessive amount of gear so that nothing would warrant a second trip and spent several hours more than adequately capturing the moment on film. As the day progressed and the sun started getting low, the entire wonder began to close only to fall off the next day; but on film it lives on.

Below ground caverns in Arizona wilderness, carved out by centuries of flash flood waters from rain many miles away.

extremely well manicured shrubbery in Japanese garden

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

this is a piece of abstract art that was created on another planet - yes, really! on the occasion that a planet blows up (usually from a massive collision), the various substrates fly off into space and sometimes find their way to earth as a meteorite. typically these are either rocky (from the planet's mantle and crust) or iron-nickel (from the core), but on very rare occasions, earth receives a piece from the in-between boundary layer where crystals have formed. this is a closeup photo of a pallasite meteorite, looking deep into the olivine crystals formed on another world. we zoomed in to view about 1/20 of an inch (about the thickness of a DVD), and used very bright and finely focused lights that illuminated every bubble and imperfection to refract an assortment of extra colours... after all, this is from another planet, so we have to make it look as other-worldly as possible.