an 80-foot waterdrop along the McKenzie River in Willamette National Forest

I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

This dusty miller plant would look right at home as an underwater sea plant on a coral reef, but is actually a nice terrain-based plant with velvety-soft leaves.

clearly appearing like something out of a Hollywood special-effects laboratory, this unreal-looking skin is actually quite common and is perhaps devouring something right outside your back door... it is a super-closeup of a June Bug's thorax (shoulder blade equivalent). the June Bugs in our area are an uninteresting plain brown, but as we explored it's outer surface, we noticed a very small metallic-looking shiny spot. far too small to see with the naked eye, we zoomed in on this spot and discovered it to be made up of many 'skin' cells of reds, oranges, and yellows each measuring around 1/3000 of an inch across. the green jellybean-like objects are actually pits in the bug's shell and have a hair growing out of each one (similar to a human pore). these deep bowel-shaped pits (about 1/400 of an inch long) were lined with more metallic-type cells that reflected our lighting back in various greens.

this is a piece of abstract art that was created on another planet - yes, really! on the occasion that a planet blows up (usually from a massive collision), the various substrates fly off into space and sometimes find their way to earth as a meteorite. typically these are either rocky (from the planet's mantle and crust) or iron-nickel (from the core), but on very rare occasions, earth receives a piece from the in-between boundary layer where crystals have formed. this is a closeup photo of a pallasite meteorite, looking deep into the olivine crystals formed on another world. we zoomed in to view about 1/20 of an inch (about the thickness of a DVD), and used very bright and finely focused lights that illuminated every bubble and imperfection to refract an assortment of extra colours... after all, this is from another planet, so we have to make it look as other-worldly as possible.

Below ground caverns in Arizona wilderness, carved out by centuries of flash flood waters from rain many miles away.

giant variegated Agave plant in Arizona desert

Nevada wilderness in early morning.