I was set up for this whitewater section of rapids and took several shots, freezing the splashes of water at different moments in time. It was an extremely wet area from all the mist, and the lens had to be wiped down between each shot. Then I continued my hike up stream, shooting along the way. At the base of the falls, it was time to change film. For an unknown reason, my camera indicated that I had rewound the film completely, but a good portion was actually still vulnerable. When I opened up the back, boy was I surprised to have just exposed my work to daylight. Having no idea which part I had just ruined, I retraced my steps and began re-shooting each scene with a different camera back in hopes to not repeat the malfunction. While in wooded areas, since many scenes are shaded by neighboring trees, I commonly will first hike unencumbered with gear to calculate the ideal time of day for that particular scene. Thankfully, my window of light for this area was long enough to obtain a second set of exposures.

close-up shot of the plentiful blooms on a Rainbow Shower tree in Hawaii

I planned my passage through southern Arizona when the giant saguaros would be in bloom. I always enjoy shooting flowers, but these blooms posed a new problem for me - they were all twenty to thirty feet above ground. As I hiked around exposing film on all sorts of life, I not only came across a good steep hill, but it had a large healthy cactus growing right next to it. Thanking mother nature for making this possible, I set up on the side of the hill and maxed out my largest zoom lens to capture these blooms.

a couple of tiny frogs taking a nap on a tree branch

I'm standing at the top of Mount Haleakala in Maui as the sun is rising above the clouds. Although I'm in the tropics, it is below freezing here at two miles up and I wasn't as prepared as I would have liked. My day started at 1:30am to initiate the drive up the mountain in time for this event, and wasn't about to leave due to cold air. I got a good location scouted out and quickly set up my gear with some jumping jacks in between to keep the blood flowing. The sun seemed to be extra slow this morning (it must have been cold, also) and in time, I got the shakes from loss of body temperature. Fortunately, the event finally started in all its beauty and the cable release removed all my thermal tremors from the image.

clearly appearing like something out of a Hollywood special-effects laboratory, this unreal-looking skin is actually quite common and is perhaps devouring something right outside your back door... it is a super-closeup of a June Bug's thorax (shoulder blade equivalent). the June Bugs in our area are an uninteresting plain brown, but as we explored it's outer surface, we noticed a very small metallic-looking shiny spot. far too small to see with the naked eye, we zoomed in on this spot and discovered it to be made up of many 'skin' cells of reds, oranges, and yellows each measuring around 1/3000 of an inch across. the green jellybean-like objects are actually pits in the bug's shell and have a hair growing out of each one (similar to a human pore). these deep bowel-shaped pits (about 1/400 of an inch long) were lined with more metallic-type cells that reflected our lighting back in various greens.

Many northern states like Montana have an abundance of colourful stones delivered by glaciers long ago. These happen to be at the edge of a lake under a few inches of water. The entire beach area and bottom of the lake (as far as I could see) was covered in this manner and the stones just under the water provided great rich colour with minimal wave distortion. To be able to shoot straight down and not have any perspective in the stone pattern, I stood in the water and waited for the ripples to disappear before capturing this neat texture image.

the meter-deep water is covered with a perfect layer of duck weed appearing as a green carpet spreading through this banyan forest.